Patti
Varol is the assistant to Rich Norris, editor of LA Times Crossword.
She delivers the good & bad news to constructors on whether their
puzzles are accepted or rejected. Patti's emails are always clear,
thoughtful & gentle. As a constructor, I appreciate very much the
constructive feedback she and Rich provide.
Patti is also a fast solver (176th at the ACPT 2011) & a brilliant constructor. If you click here, you'll see all the puzzles she constructed for the LA Times the past few years. They are all theme-dense & super smooth in fill. She makes things look easy.
Patti is also a fast solver (176th at the ACPT 2011) & a brilliant constructor. If you click here, you'll see all the puzzles she constructed for the LA Times the past few years. They are all theme-dense & super smooth in fill. She makes things look easy.
Can you tell us a bit about your background?
How did you get interested in crosswords?
I can’t think of a time when I wasn’t solving puzzles! When
I was a kid, I used to devour Games Magazine with my grandparents, and we’d
solve all kinds of newspaper crosswords together – we weren’t picky! If it had
clues and a grid, we tackled it. Puzzles and games were a big part of my
childhood.
Most of the jobs I’ve had – and I’ve had a lot of very
different jobs – were just a way to pay the bills while I finished school and
tried to become a writer. But then I spotted an ad for a puzzle editor, and I
couldn’t apply fast enough.
Being a puzzle editor for Penny Press was more than just a
way to pay the bills, and I spent twelve very fun years there. I’ve edited or
constructed just about every kind of puzzle you can think of, and I’ve worked
on every stage of puzzle publishing – layout, design, even software
development.
My first year at Penny Press, which was also Rich’s first
year as the LAT editor, Rich and I met at the Pleasantville crossword
tournament. About a year later, we worked together at another tournament (at Iona College, my alma mater), and we
became very good friends.
Rich invited me to be an LAT test-solver, and then hired me
to test-solve and fact-check puzzles for Crosswords Club. He encouraged me to
start constructing crosswords, and he convinced me to go to ACPT. When I left Penny
Press to become a freelance writer, Rich offered me the Assistant's job.
I usually describe myself as a freelance writer and editor,
and I do still write book reviews and essays and the occasional short story,
but the majority of my freelance work is in crosswords and word games. I play
with words all day. Jobs don’t get better than this!
What's your philosophy when it comes to fill
a Monday grid? You have 5 themes today, 5 in your last Monday puzzle. All
pretty long entries, yet the fill is so clean.
Easy, early-week
puzzles are such a challenge to make. A Monday needs to be accessible to every solver,
even the most inexperienced – the last thing a Monday should do is frustrate a
brand-new solver. The theme needs to be straightforward, the fill can’t have
anything too weirdly obscure, and the clues should lead the solver to the
answer. But it should also be fun and interesting for experienced solvers –
that’s the trickiest part. Having 5 or more themers in a Monday can help make
an easy puzzle more interesting for experienced solvers.
What kind of theme & fill fascinate you and what kind do you try to avoid in your puzzles?
I love
being surprised by a puzzle – a clue that makes me look at an ordinary word in
a new way, or a pun that makes me laugh out loud, or a theme with an unexpected
twist. And I’m always impressed with a puzzle when the nontheme fill is as lively
and as interesting as the theme itself.
Every
solver has hit something in a puzzle – a lame or inconsistent themer,
too-trivial trivia in a clue, crossing obscurities in a grid -- that makes you
want to throw your newspaper across the room. I try to avoid the stuff that
makes you want to throw things.
Which part do you enjoy the most in
the construction process: theme development, filling or cluing?
It’s all
great, but cluing is my favorite. Each part of the process is a different
challenge for me. I’m very good at coming up with solid themes … that have been
done a million times already. I’m also very good at coming up with themes that
will never in a million years fit in any grid. So, when I get to the cluing
stage, the hardest work is behind me. And I get to play with words some more.
What kind of tools & references do you
use for theme brainstorming, cluing and fact checks?
I have a
ratty old graph paper notebook that I use for developing themes and for trying
out grid designs, but I use Crossword Compiler for constructing. I often dip
into Steven Glazier’s Word Menu for inspiration (themes and clues). As anyone
who has ever helped me move can attest, I own more dictionaries and reference
books than I feel like counting or listing right now. Friends who have helped
me move my very heavy reference books do not want to know that a) I do much of
my fact-checking online and b) the one book I use every day is the tiniest:
Strunk and White’s Elements of Style.
How challenging is it to be Rich's
assistant?
I have
the best job ever, with the best boss ever (and I’m not just saying that
because I know he’ll read this). Rich and I have been friends and colleagues
for many years; we make a great team, and I love working with him.
The
biggest challenge of the job is writing emails to constructors when a theme
just doesn’t appeal to Rich. Rich and I both firmly believe that constructors
need detailed feedback on their work: newbie constructors can only benefit from
hearing precisely what works and doesn’t work in the puzzles they’re making.
And more senior constructors can sometimes develop blind spots about their
puzzles. The more specific we are in our acceptance and rejection letters, the
better our constructors will be.
Sometimes,
though, a theme just doesn’t appeal to Rich, and there’s not much more to say
about it. It’s just a taste thing. Those are the hardest letters to write,
because I never want constructors to feel like they’ve been sent a form letter
or that we didn’t evaluate a puzzle thoroughly.
Besides crosswords, what else do you do for fun?
At the
moment, I am stiff and sore and sunburned from a 15-mile bike ride, so I’m
hesitating to call it “fun,” but I do love exploring my little part of
California on my bike.
I’m a
Mets fan, and I’m listening to them lose to the Phillies (… again) as I’m
typing these answers, so I’m starting to wonder if there’s anything I do that
can be called “fun”!
I’m a
bit of a foodie, and I love discovering new restaurants as much as I love to
cook. I have a weakness for farmers markets, and this New York girl cannot get enough
of the fresh produce available here in California year-round. I still can’t
believe I can buy avocados and ginger and grapefruit at a farmers market! I
really enjoy experimenting with new recipes and ingredients. Cooking helps me
unwind; it’s a meditative experience for me. I just hate doing the dishes.
I’m also
a bookworm; I read three or four novels a week. And I play video games more
than I probably should, and I watch old episodes of Doctor Who more than anyone
should.