Tuesday, April 30, 2013 Amy Johnson

Theme: Brr x 2 - The unifier can precede both parts respectively.

17A. *Protective fuse container : BREAKER BOX. ICE BREAKER, a ship that opens up the ice. ICE BOX, dare I mention refrigerator?

39A and 40A. With "Baby," a 1990's hip-hop hit that answers the question, "What can precede both parts of the answers to starred clues?" : ICE and ICE. If you care to listen. Link.

61A. *Tailgater's brew chiller : BEER BUCKET. ICE BEER, so much hype. ICE BUCKET, to keep it cold.

11D. *Flood control concern : STORM WATER. ICE STORM, I hope you all escaped any serious one this winter. ICE WATER, or iced water. Cold either way.

29D. *Era of mass production : MACHINE AGE. ICE MACHINE, built-in, in some refrigerators. ICE AGE, a time, a movie(with sequels).

Argyle here. I like the grid arrangement; center reveal with the themes surrounding it. Tougher than the usual Tuesday. What will tomorrow bring?

Across:

1. 1860s Grays : REBS. Civil War.

5. Danger : PERIL

10. __ Spumante : ASTI

14. 50+ group : AARP. It is still called by the four letters but they don't stand for anything other than their organization. So it isn't an anagram or initialism since 1999. Before then, 21A. Part of 14-Across, originally : RETIRED. (American Association of Retired Persons)

15. Verdi aria : ERI TU

16. Trans Am roof option : T-TOP

19. Mower brand : TORO

20. Set up for a fall : ENTRAP

23. Gift for el 14 de febrero : ROSAs. Some roses for your señorita on día de San Valentín.

26. Tree for which New Haven is nicknamed : ELM. But, like most places, only a few of those elms of centuries past are still standing.

27. Summits : ACMES

30. Native American weapons : TOMAHAWKS

35. "Get a __ of this!" : LOAD

36. Loud, like sirens : ABLARE. An "A" word.

37. MSN alternative : AOL. Like AARP, it was previously known as America Online but uses only the letters now.

38. Partners' legal entity: Abbr. : LLC. An initialism for Limited Liability Company.

41. Lao Tzu's "path" : TAO

42. July 4th reaction : [OOH!]

43. Early Florida explorer : DE SOTO. Early Chrysler car.

45. Get gooey : MELT

46. School term : TRIMESTER

48. Saintly circles : AURAS

49. "Uh-uh, lassie!" : "NAE!"

50. Groupon offerings : DEALS

52. Rodeo hat : STETSON

56. With 48-Down, Felipe's outfielder son : MOISES. 48D. See 56-Across : ALOU

60. Keister in a fall? : PRAT. (means buttocks)

64. Bird house : CAGE

65. Really miffed : IRATE

66. "The Clan of the Cave Bear" heroine : AYLA

67. Thumbs-up votes : AYES

68. Bellhop, at times : TOTER. One who totes.

69. Out of concern that : LEST

Down:

1. Broccoli __ : RABÉ. Dark green leaf of the mustard family.

2. Be worthy of : EARN

3. Novelist __ Easton Ellis : BRET. West coast boy who came east for an education. (Bennington College)

4. Trained with gloves : SPARRED

5. Marshmallowy Easter treats : PEEPS. Probably stale by now.

6. Miscalculate : ERR

7. Curved bone : RIB

8. "Click __ Ticket": seatbelt safety slogan : IT OR. Is this PSA nationwide?

9. Elegance : LUXE

10. Hun honcho : ATTILA

12. Ran fast : TORE

13. Apple for a music teacher? : iPOD

18. "Get Smart" evil agency : KAOS. Spelled with all capital letters but pronounced as a single word, it also is not an anagram. The individual letters do not represent anything. We have a mini-theme going here.

22. Little chuckle : TE-HEE. So little, there is only one E in TE.

24. In a perfect world : AT BEST

25. Sevillian sun : SOL. Seville, a city and province in Spain.

27. Portion out : ALLOT

28. Enjoy crayons : COLOR. The ones from Easton, PA. Remember? (Crayola manufacturer)

31. __ d'hôtel: headwaiter : MAÎTRE

32. With the bow, to a cellist : ARCO. But on the road, to a driver, it's an anagram for Atlantic Richfield Company.

33. Cuddly-looking marsupial : KOALA

34. Casino attractions : SLOTS

36. Unreturned serves : ACES

39. Inventeur's list : IDÉES. In France.

44. U.K. lexicological work : OED. (Oxford English Dictionary)

45. Many a Tony winner : MUSICAL. The Antoinette Perry Award for Excellence in Theatre, known informally as the Tony Award, recognizes achievement in live Broadway theatre. - per Wikipedia.

47. Unglossy finishes : MATTEs. Enough with the MATTES.

51. Jewelry resin : AMBER

52. Pet adoption org. : SPCA

53. Printer paper holder : TRAY

54. Final bio? : OBIT

55. Detective Wolfe : NERO

57. Largest of the Inner Hebrides : SKYE. (Scotland)

58. Wiggly swimmers : EELS

59. On-base pct., e.g. : STAT. (statistic)

62. Have a meal : EAT

63. 66, notably: Abbr. : RTE. Time to hit the road!

Argyle

Interview with Patti Varol

Patti Varol is the assistant to Rich Norris, editor of LA Times Crossword. She delivers the good & bad news to constructors on whether their puzzles are accepted or rejected. Patti's emails are always clear, thoughtful & gentle. As a constructor, I appreciate very much the constructive feedback she and Rich provide.

Patti is also a fast solver (176th at the ACPT 2011) & a brilliant constructor. If you click here, you'll see all the puzzles she constructed for the LA Times the past few years. They are all theme-dense & super smooth in fill. She makes things look easy.

Can you tell us a bit about your background? How did you get interested in crosswords?

I can’t think of a time when I wasn’t solving puzzles! When I was a kid, I used to devour Games Magazine with my grandparents, and we’d solve all kinds of newspaper crosswords together – we weren’t picky! If it had clues and a grid, we tackled it. Puzzles and games were a big part of my childhood.

Most of the jobs I’ve had – and I’ve had a lot of very different jobs – were just a way to pay the bills while I finished school and tried to become a writer. But then I spotted an ad for a puzzle editor, and I couldn’t apply fast enough.

Being a puzzle editor for Penny Press was more than just a way to pay the bills, and I spent twelve very fun years there. I’ve edited or constructed just about every kind of puzzle you can think of, and I’ve worked on every stage of puzzle publishing – layout, design, even software development.

My first year at Penny Press, which was also Rich’s first year as the LAT editor, Rich and I met at the Pleasantville crossword tournament. About a year later, we worked together at another tournament (at Iona College, my alma mater), and we became very good friends.

Rich invited me to be an LAT test-solver, and then hired me to test-solve and fact-check puzzles for Crosswords Club. He encouraged me to start constructing crosswords, and he convinced me to go to ACPT. When I left Penny Press to become a freelance writer, Rich offered me the Assistant's job.

I usually describe myself as a freelance writer and editor, and I do still write book reviews and essays and the occasional short story, but the majority of my freelance work is in crosswords and word games. I play with words all day. Jobs don’t get better than this!

 

What's your philosophy when it comes to fill a Monday grid? You have 5 themes today, 5 in your last Monday puzzle. All pretty long entries, yet the fill is so clean.

Easy, early-week puzzles are such a challenge to make. A Monday needs to be accessible to every solver, even the most inexperienced – the last thing a Monday should do is frustrate a brand-new solver. The theme needs to be straightforward, the fill can’t have anything too weirdly obscure, and the clues should lead the solver to the answer. But it should also be fun and interesting for experienced solvers – that’s the trickiest part. Having 5 or more themers in a Monday can help make an easy puzzle more interesting for experienced solvers.

What kind of theme & fill fascinate you and what kind do you try to avoid in your puzzles?

I love being surprised by a puzzle – a clue that makes me look at an ordinary word in a new way, or a pun that makes me laugh out loud, or a theme with an unexpected twist. And I’m always impressed with a puzzle when the nontheme fill is as lively and as interesting as the theme itself.

Every solver has hit something in a puzzle – a lame or inconsistent themer, too-trivial trivia in a clue, crossing obscurities in a grid -- that makes you want to throw your newspaper across the room. I try to avoid the stuff that makes you want to throw things.

Which part do you enjoy the most in the construction process: theme development, filling or cluing?

It’s all great, but cluing is my favorite. Each part of the process is a different challenge for me. I’m very good at coming up with solid themes … that have been done a million times already. I’m also very good at coming up with themes that will never in a million years fit in any grid. So, when I get to the cluing stage, the hardest work is behind me. And I get to play with words some more.

What kind of tools & references do you use for theme brainstorming, cluing and fact checks?

I have a ratty old graph paper notebook that I use for developing themes and for trying out grid designs, but I use Crossword Compiler for constructing. I often dip into Steven Glazier’s Word Menu for inspiration (themes and clues). As anyone who has ever helped me move can attest, I own more dictionaries and reference books than I feel like counting or listing right now. Friends who have helped me move my very heavy reference books do not want to know that a) I do much of my fact-checking online and b) the one book I use every day is the tiniest: Strunk and White’s Elements of Style.

How challenging is it to be Rich's assistant?

I have the best job ever, with the best boss ever (and I’m not just saying that because I know he’ll read this). Rich and I have been friends and colleagues for many years; we make a great team, and I love working with him.

The biggest challenge of the job is writing emails to constructors when a theme just doesn’t appeal to Rich. Rich and I both firmly believe that constructors need detailed feedback on their work: newbie constructors can only benefit from hearing precisely what works and doesn’t work in the puzzles they’re making. And more senior constructors can sometimes develop blind spots about their puzzles. The more specific we are in our acceptance and rejection letters, the better our constructors will be.

Sometimes, though, a theme just doesn’t appeal to Rich, and there’s not much more to say about it. It’s just a taste thing. Those are the hardest letters to write, because I never want constructors to feel like they’ve been sent a form letter or that we didn’t evaluate a puzzle thoroughly.

Besides crosswords, what else do you do for fun?

At the moment, I am stiff and sore and sunburned from a 15-mile bike ride, so I’m hesitating to call it “fun,” but I do love exploring my little part of California on my bike.

I’m a Mets fan, and I’m listening to them lose to the Phillies (… again) as I’m typing these answers, so I’m starting to wonder if there’s anything I do that can be called “fun”!

I’m a bit of a foodie, and I love discovering new restaurants as much as I love to cook. I have a weakness for farmers markets, and this New York girl cannot get enough of the fresh produce available here in California year-round. I still can’t believe I can buy avocados and ginger and grapefruit at a farmers market! I really enjoy experimenting with new recipes and ingredients. Cooking helps me unwind; it’s a meditative experience for me. I just hate doing the dishes.

I’m also a bookworm; I read three or four novels a week. And I play video games more than I probably should, and I watch old episodes of Doctor Who more than anyone should.